Through a thoughtful interview, Miranda Otto opens up on topics ranging from her newest character as Queen of the Cuttlefish to the invaluable wisdom gleaned from theatrical mistakes and fan interactions.
Your latest role is Queen of the Cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Straight away, that particular fish found at Clovelly beach – since it is a local landmark, and people go there to see it. It strikes me as remarkable that there’s a local fish that people actually seek out and talk about – it holds a unique status.
Which movie do you repeatedly watch, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this film. During my childhood, it used to come on television every now and again, and one time I videotaped it. I found it was hilarious. It stars the legendary Carole Lombard and comedian Jack Benny. Recently they were showing it at the Ritz and it turned out that it was also the favourite film of an acquaintance, and so we went and simply chuckled repeatedly. It is a great piece of humor and the entire cast in it are superb. The director Mel Brooks remade it in the 1980s – that wasn’t successful. But the original film is an exceptional farce, worth viewing often.
What is the most valuable lesson you took away from someone a colleague?
I was doing A Doll’s House with Pete – my husband now, but back then we were not a couple. We portrayed characters opposite each other and on opening night I stumbled – I jumped ahead a few lines in the script. I didn’t know of my error but I abruptly sensed things were off. I recall glancing toward him, and he expertly rescued the moment, and then the scene took off again and went really, really well. But I think what I learned in that moment was, first, consistently rely on the individuals in your scene. When you lose where you are, by looking and toward the people sharing the stage with, you will find where you’re meant to be in some way. It is a profoundly collaborative endeavor, acting on stage. And secondly, to maintain a sense of fun about it. Sometimes when something goes wrong, things can ignite in a wonderfully positive direction provided you are really present then. It may become a gift when things go absolutely awry.
Can you describe your most memorable encounter with a fan?
It’s not just one specific meeting but when I encounter devotees of Lord of the Rings, particularly women, I am told numerous stories about how that character impacted them when they were younger … events that occurred in their lives and how much Eowyn meant to them and was a form of support to them during those periods.
Which questions get asked about the most by Lord of the Rings fans?
The most specific inquiry concerns always about that infamous meal her character prepares for Aragorn. “Did that stew taste really that bad?” It has evolved into a running gag, the whole thing involving that dish, and everyone wants to know the contents of the pot, and its preparation method, and do you think she’s a better cook now, or do you think she really is a bad cook? Fans seem, I think, fascinated by the humour of that situation. And I provide lengthy descriptions listing the ingredients that made up the stew – as I recall what they did; like they even put bits of colored thread to make it look like blood vessels in the meat. They went to great detail to render it as bad as possible.
What’s been your most cringeworthy run-in with a famous person?
I was at a fitness session and another participant lying down doing pilates, and the instructor remarked, “Oh, Miranda, this is Miranda.” And I attempted a lighthearted remark inquiring, “might you be a journalist?” Because it’s an unusual name and most of the time when I meet another Miranda, they’re a journalist. I hadn't properly identified her. And as she rose, it was Miranda Richardson. Then I was at a loss for what to say. I still had to complete my class, and I experienced intense awkwardness. I wanted to say: “Goodness, I am aware of who you are!” I consider her talent is immense and I was just too starstruck to say anything.
It’s been repeatedly stated that you were given your name from Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned stating otherwise – can you settle the matter definitively?
Indeed, I was christened for the Sydney suburb. Mum heard on the radio that they were opening a shopping centre at Miranda, and she thought seemed a nice name.
What’s the most chaotic thing that’s ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the most chaotic set I’ve ever worked on, and yet the film turned out brilliantly. But the local crew operated in a distinct manner. Their concept of time there is unique. In Australia, you normally have a schedule and must arrive on set by a certain time. But this was sort of open ended – one would appear whenever you happen to be ready. It was a really different approach for me. All aspects were all coming together at the final moment, and sometimes the plan was unclear where they were shooting the next day how we were going to do it. And then I would be in during a scene and wondering, “What was that noise that just interrupted the scene? Oh, it’s the producer opening some champagne on set, because he’s making a party.” The result was excellent, but goodness, it’s a distinct style of film-making.
What are you secretly good at?
I’ve always been good with numbers. I memorise numbers easier than I learn dialogue often, I’ve just got that kind of a brain. So I think if I hadn’t pursued acting, I likely might have worked in involving numbers, like mathematics or finance.
What is the greatest piece of advice you have ever received?
When I was in secondary school, a speaker addressed us as we were graduating and stated, “don’t be afraid to fail” … which I think is the best piece of advice, since one gains so much more from setbacks than you learn from triumph. Success, one rarely comprehends exactly how it happened. With failure, you learn abundant.
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